Kategorie » Musik

Two uncompromising sets in the exploration of the time and frequency domains of vibrational phenomena of electronic origin. Synthesis, saturation, impact, dynamics and diffusion, the live sets by Ampe and Warnecke offer intense sound experiences, between powerful distorted waves and hypnotic (a)rhythmic tensions, where noise, concrete, drone, no-input and minimalism collide and devour each other.
Méryll Ampe establishes links between his sound and sculptural practice. He sees sound as a medium to be sculpted in real time and improvises from analog sources (oscillators, filters, drum machine, etc.). Playing with the interweaving of volumes, perspectives and dynamics, he creates sharp and very raw materials. He likes to brush against the limits of sound and digs into its flesh with a permanent interest in physicality and porosity. Live, he engages in an instinctive and radical way, calling on listening to the place and the body which serves as a barometer to weave massive and organic sound states which unfold, ntersect, mix or decompose. The result is thunderous bursts of abstract noises, distortions and rhythmic saturations.

Pierce Warnecke is a multidisciplinary digital artist at the intersection of experimental music, digital arts and video art. He has presented his work in the form of performances, concerts and installations at Rewire, Mutek, GRM, ZKM, ManiFeste (IRCAM), CTM, etc. He co-curates emittermicro label and festival with Kris Limbach and Seiji Morimoto in Berlin since 2011, in addition to co-curating Le Signal Festival in France with Louis Laurain since 2020. Pierce collaborates often and has worked with Frank Bretschneider, Matthew Biederman, Myriam Bleau, Keith Fullerton Whitman, Louis Laurain, Clément Edouard and more. His music has been published on raster (DE), Room40 (AU) and Contour Editions (US). He is represented by Disk Agency in Berlin.